Profits from pornography and prostitution Assignment

Profits from pornography and prostitution - Assignment Example A survey conducted in U.S.A reveals that adult bookshops and stores offer more number of books that exhibit pornographic contents that are legally banned in the country. Though legal implications are more, pornography has not been reduced and most of these forms violate the norms and regulations specified by the government. (Pace, 1983). Another organized crime is prostitution that also reaps profit to the one who owns the business. In most of the countries children below the age of 16 are also forcibly included into this act of prostitution. (Lunde, 2006). Though it is not legally permitted in most of the countries, illegal activists continue to do this organized crime. Vice Crimes are the ones that are banned either by the legal system or by the society due to the illicit problems that they bring into the society. The common vice crimes are prostitution and pornography. (Albanese, 2011). They are considered as illegal acts that spoil the morality of the people and communities in particular. Victimless crimes do not involve any third party or a person except from the one who is directly involved in it. Usage of drugs and alcoholics that are prohibited by the government is also considered to be victimless crimes. (Monkkonen, 1992). They also fall under the category of victimless crimes that are committed by organized crime. Even procuring illegal drugs and supplying them to the people are considered to be organized

Creative workplace - Is the 'studio' still important in the world of Essay

Creative workplace - Is the 'studio' still important in the world of Design - Essay Example Then, along came the virtual revolution and now designers of all kinds, hobbyists and housewives, students and retirees, the wealthy and the poor can harness the tremendous resources of online studio space and creative software to accomplish what used to require a warehouse or loft flat hybrid. This paper will review relevant literature to explore the question of how important the studio is, given the availability of virtual resources; under what conditions the non-virtual studio is or is not required, how the present-day shift to online creative space will likely effect the industry, and more importantly for me, personally, whether I yearn for a future (real) studio of my own? The first point it seems wise to make, in this paper, is that not all design studios are or should be alike. Actually, Dorgan differentiates between â€Å"space† and â€Å"place†, saying that space is uninhabited, abstract and open to all potentiality, while place is negotiated within space, and is defined in a specific way by the communication and action meanings that take place (Dorgan 2). A design studio is the inhabitation and negotiation of space into place (3). A studio is social and densely interactive; political and functionally negotiating (4) and is activist, transforming circumstances with intention (5). The studio is where we begin to shape our imagination toward transformation (15). I see that each of these characteristics can happen both in physical space and in virtual space, suggesting that studio place can be successfully negotiated in either one. The collage below, Figure 1, shows a sampling of various design studios. The collage below that one, Figure 2, shows a sampling of graphic design studios. Even a casual glance immediately registers an impression that, while many design studios attend to material storage and the mood induced by artistic physical environments, graphic design studios rely primarily on computer